創立於1979年的徠卡奧斯卡·巴納克攝影獎 (LOBA),今年迎來第44屆評選,共有12位攝影師入圍最終名單。

首先,來自約50個國家的80位國際攝影權威為LOBA提名候選作品。接下來,評審團共同確定徠卡奧斯卡·巴納克攝影獎主獎項和新人獎的入圍名單。面向30歲以下攝影師的LOBA新人獎與20個國家的重要攝影機構和大學合作,由後者提名入圍名單。

2024年10月10日頒獎典禮結束後,徠卡將在威茲勒的恩斯特·徠茲博物館舉辦攝影展,展出本屆徠卡奧斯卡·巴納克攝影獎的所有入圍作品,徠卡還會將其悉數編纂成冊。之後,本屆徠卡奧斯卡·巴納克攝影獎入圍作品還將在全球徠卡畫廊和各大攝影節上展出。

徠卡奧斯卡·巴納克攝影獎是攝影界最權威且獎勵最為豐厚的獎項之一。主獎項得主將獲得4萬歐元的獎金和價值1萬歐元的徠卡相機設備;新人獎得主將獲得1萬歐元的獎金和一台徠卡Q3相機。

2024年徠卡奧斯卡·巴納克攝影獎入圍名單一覽(含主獎項和新人獎,按字母順序排列)

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福魯格·阿雷伊 (Forough Alaei)

《伊朗靜謐街頭下》(The Underneath of the Calm Streets of Iran)

自2022年9月伊朗女孩瑪莎·阿米尼(Mahsa Amini)之死以來,許多伊朗女性開始勇敢挑戰由政府制定的行為規範。 這位生於1989年的伊朗攝影師將鏡頭對準這些年輕的伊朗女性,她們正在滿懷信心地踐行“女性、生命、自由”原則。無論是舞者、餐廳經理、摩托車賽車手、汽車修理工還是特技演員,這些新一代年輕女性都在勇敢無畏地為自己的權益而戰。

(左→右) 01. Hasti Rezaei (15), the youngest female motocross champion of Iran and UAE, Iran 2023 from the series The Underneath of the Calm Streets of Iran © Forough Alaei/LOBA 2024 08. Elahe in front of the portrait of her sister Elmira. Both are artists. Elmira is studying in Canada while Elahe is still trying to find a way to emigrate. Iran 2020 from the series The Underneath of the Calm Streets of Iran © Forough Alaei/LOBA 2024 17. Women pose for a selfie before they get ready to go to work, Iran 2019 from the series The Underneath of the Calm Streets of Iran © Forough Alaei/LOBA 2024 

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01. Hasti Rezaei (15), the youngest female motocross champion of Iran and UAE, Iran 2023 from the series The Underneath of the Calm Streets of Iran © Forough Alaei/LOBA 2024

08. Elahe in front of the portrait of her sister Elmira. Both are artists. Elmira is studying in Canada while Elahe is still trying to find a way to emigrate. Iran 2020 from the series The Underneath of the Calm Streets of Iran © Forough Alaei/LOBA 2024

17. Women pose for a selfie before they get ready to go to work, Iran 2019 from the series The Underneath of the Calm Streets of Iran © Forough Alaei/LOBA 2024 

安努什·巴巴賈尼揚 (Anush Babajanyan)

《納戈爾諾-卡拉巴赫戰爭與人民的流離》(Nagorno-Karabakh War and Exodus)

該系列圍繞亞塞拜然納戈爾諾-卡拉巴赫地區持續多年的衝突展開。該地區位於小高加索地區的東南部,主要居民曾是亞美尼亞人,直到2023年9月他們紛紛逃離此地。這攝影師用鏡頭記錄了亞美尼亞家庭面臨的威脅、流離失所的現狀以及變幻莫測的未來。巴巴賈尼揚於1983年出生於亞美尼亞,現居德國。她的作品曾多次獲獎,她也是Agency VII攝影通訊社成員。

(左→右) 10. Araksya Grigoryan, a single mother, poses with her seven children, Nagorno-Karabakh 2017 from the series Nagorno-Karabakh War and Exodus © Anush Babajanyan/LOBA 2024 13. Anahit Stepanyan (right) at the humanitarian station and registration point, Kornidzor village, Armenia 2023 from the series Nagorno-Karabakh War and Exodus © Anush Babajanyan/LOBA 2024 14. Children play and run around a World War II airplane at Mets Tagher village, Nagorno-Karabakh 2020 from the series Nagorno-Karabakh War and Exodus © Anush Babajanyan/LOBA 2024 

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10. Araksya Grigoryan, a single mother, poses with her seven children, Nagorno-Karabakh 2017 from the series Nagorno-Karabakh War and Exodus © Anush Babajanyan/LOBA 2024

13. Anahit Stepanyan (right) at the humanitarian station and registration point, Kornidzor village, Armenia 2023 from the series Nagorno-Karabakh War and Exodus © Anush Babajanyan/LOBA 2024

14. Children play and run around a World War II airplane at Mets Tagher village, Nagorno-Karabakh 2020 from the series Nagorno-Karabakh War and Exodus © Anush Babajanyan/LOBA 2024

艾蜜莉·加斯維特 (Emily Garthwaite)

《底格裡斯河之淚》(Tears of the Tigris)

這位英國攝影記者出生於1993年,她的系列作品從位於土耳其源頭的底格裡斯河開始,一路拍攝至位於伊拉克的河口,綿延1900公里。加特威特探索了政治情緒、種族關係、國家邊界和不斷變化的地理環境。這條河流正面臨一場即將到來的環境災難,生活在底格裡斯河流域的約3000萬居民都將受到影響,該地區的文化遺產也會受到威脅。

(左→右) 03. Four sisters plait each other’s hair, Kut, Iraq 2021 from the series Tears of the Tigris © Emily Garthwaite/LOBA 2024 06. A farmer walks on the cracked, dry earth beside the Diyala river, Iraq 2021 from the series Tears of the Tigris © Emily Garthwaite/LOBA 2024 11. Bassam al-Sheikh, environmental activist, Iraq 2023 from the series Tears of the Tigris © Emily Garthwaite/LOBA 2024

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03. Four sisters plait each other’s hair, Kut, Iraq 2021 from the series Tears of the Tigris © Emily Garthwaite/LOBA 2024

06. A farmer walks on the cracked, dry earth beside the Diyala river, Iraq 2021 from the series Tears of the Tigris © Emily Garthwaite/LOBA 2024

11. Bassam al-Sheikh, environmental activist, Iraq 2023 from the series Tears of the Tigris © Emily Garthwaite/LOBA 2024

克休莎·伊萬諾娃 (Ksenia Ivanova)

《南高加索樹影間》(Between the Trees of the South Caucasus)

這位攝影師於1990年出生於俄羅斯,現居德國柏林。她的系列作品創作於2019至2023年期間,旨在深入探討南高加索地區尚未解決的衝突問題。2008年8月,俄羅斯在鄰國格魯吉亞駐軍,並宣佈南奧塞梯和阿布哈茲獨立。對於正在發生的俄烏衝突,伊萬諾娃的系列作品提出了一些根本問題:該地區的未來將何去何從?這裡的居民將受到何種影響?

(左→右) 01. Shamil Kurt-Ogly (16), poses for a portrait with rabbits, Abkhazia, Georgia 2020 from the series Between The Trees of The South Caucasus © Ksenia Ivanova/LOBA 2024 11. Neighbours gathered for the funeral of one of the displaced Georgian women from Abkhazia, Tbilisi, Georgia 2022 from the series Between The Trees of The South Caucasus © Ksenia Ivanova/LOBA 2024 17. Children during a drill competition between schools in Sukhumi, Abkhazia, Georgia 2023 from the series Between The Trees of The South Caucasus © Ksenia Ivanova/LOBA 2024

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01. Shamil Kurt-Ogly (16), poses for a portrait with rabbits, Abkhazia, Georgia 2020 from the series Between The Trees of The South Caucasus © Ksenia Ivanova/LOBA 2024

11. Neighbours gathered for the funeral of one of the displaced Georgian women from Abkhazia, Tbilisi, Georgia 2022 from the series Between The Trees of The South Caucasus © Ksenia Ivanova/LOBA 2024

17. Children during a drill competition between schools in Sukhumi, Abkhazia, Georgia 2023 from the series Between The Trees of The South Caucasus © Ksenia Ivanova/LOBA 2024

瑪麗亞·古圖 (Maria Gutu)

《家園》 (Homeland)

在摩爾多瓦,許多孩子都在沒有父母照顧的情況下長大。由於經濟原因,大約四分之一人口在過去二十年中離開了這個國家謀求生計。本系列作品起源於這位摩爾多瓦攝影師自己的故事。古圖出生於1996年,從小與祖父母一起長大。她的作品中充滿著尋找根源和家園的詩意,而所謂“家園”的意義一次次地發生變化——即便對孩子來說也是如此。

(左→右) 01. Moldova 2022 from the series Homeland © Maria Gutu/LOBA 2024 08. Moldova 2022 from the series Homeland © Maria Gutu/LOBA 2024 17. Moldova 2023 from the series Homeland © Maria Gutu/LOBA 2024

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01. Moldova 2022 from the series Homeland © Maria Gutu/LOBA 2024

08. Moldova 2022 from the series Homeland © Maria Gutu/LOBA 2024

17. Moldova 2023 from the series Homeland © Maria Gutu/LOBA 2024

盧卡斯·倫奇 (Lucas Lenci)

《無法專注的時代》(Inattention Era)

對許多人來說,他們的感官每天都處於持續的超載狀態中。巴西攝影師盧卡斯·倫奇出生於1980年,他拍攝了一系列空蕩蕩的公共空間,他認為這些空間隱喻著人們無法處理的過量資訊。倫奇描繪了一個以無所不在的分心和注意力不集中為特徵的時代狀態。

(左→右) 04. The largest LED panel tunnel in the world connects office spaces, São Paulo, Brazil 2023 from the series Inattention Era © Lucas Lenci/LOBA 2024 08. Shopping mall, São Paulo, Brazil 2023 from the series Inattention Era © Lucas Lenci/LOBA 2024 14. LED display at L’Opéra National de Paris, Paris, France 2024 from the series Inattention Era © Lucas Lenci/LOBA 2024

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04. The largest LED panel tunnel in the world connects office spaces, São Paulo, Brazil 2023 from the series Inattention Era © Lucas Lenci/LOBA 2024

08. Shopping mall, São Paulo, Brazil 2023 from the series Inattention Era © Lucas Lenci/LOBA 2024

14. LED display at L’Opéra National de Paris, Paris, France 2024 from the series Inattention Era © Lucas Lenci/LOBA 2024

亞德蓮娜·盧雷羅·斐迪南 (Adriana Loureiro Fernández)

《失樂園》 (Paradise Lost)

這位1988年出生的委內瑞拉攝影師記錄了這個南美國家的荒涼景象,並將其呈現為某種個人日記。她用大約十年時間記錄了這片土地的崩塌——貧困、通貨膨脹、無處不在的暴力;但即便如此,年輕一代依然充滿希望,與其他人不同,他們並沒有拋棄腳下的這片土地。正如這位攝影師所說:“在美麗與恐懼之間,就是失樂園。”

(左→右) 03. Grillis Febres (19, middle) and her friends play and cuddle with their children, Caracas, Venezuela 2018 from the series Paradise Lost © Adriana Loureiro Fernández/LOBA 2024 13. A busy street market, Caracas, Venezuela 2023 from the series Paradise Lost © Adriana Loureiro Fernández/LOBA 2024 17. Yon Medina dives from an abandoned oil structure in Lake Maracaibo, Cabimas, Venezuela 2022 from the series Paradise Lost © Adriana Loureiro Fernández/LOBA 2024

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03. Grillis Febres (19, middle) and her friends play and cuddle with their children, Caracas, Venezuela 2018 from the series Paradise Lost © Adriana Loureiro Fernández/LOBA 2024

13. A busy street market, Caracas, Venezuela 2023 from the series Paradise Lost © Adriana Loureiro Fernández/LOBA 2024

17. Yon Medina dives from an abandoned oil structure in Lake Maracaibo, Cabimas, Venezuela 2022 from the series Paradise Lost © Adriana Loureiro Fernández/LOBA 2024

薩拉·梅內塞斯·誇皮奧 (Sara Meneses Cuapio)

《尋根》(Root Hunger)

在墨西哥特拉斯卡拉州的一座休眠火山Matlalcuéyetl上,由於非法砍伐和樹皮甲蟲侵襲,山坡上的樹林遭到了嚴重破壞。這不僅對環境造成了影響,也影響了納瓦族文化的世界觀,因為對他們來說,森林是神聖的場所。這位生於1995年的攝影師與該地區存在家族淵源,她在這一系列作品中展示了自然破壞與文化遺產喪失之間的關係。

(左→右) 06. Us, Matlalcuéyetl, Tlaxcala, Mexico 2023 from the series Raízhambre © Sara Meneses Cuapio/LOBA 2024 08. Drowned, Matlalcuéyetl, Tlaxcala, Mexico 2022 from the series Raízhambre © Sara Meneses Cuapio/LOBA 2024 20. Botton. You. Matlalcuéyetl, Tlaxcala, Mexico 2022 from the series Raízhambre © Sara Meneses Cuapio/LOBA 2024

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06. Us, Matlalcuéyetl, Tlaxcala, Mexico 2023 from the series Raízhambre © Sara Meneses Cuapio/LOBA 2024

08. Drowned, Matlalcuéyetl, Tlaxcala, Mexico 2022 from the series Raízhambre © Sara Meneses Cuapio/LOBA 2024

20. Botton. You. Matlalcuéyetl, Tlaxcala, Mexico 2022 from the series Raízhambre © Sara Meneses Cuapio/LOBA 2024

達維德·蒙泰利奧尼 (Davide Monteleone)

《關鍵礦產——能源地貌》(Critical Minerals – Geography of Energy)

如何在不重蹈覆轍的前提下創造一個可持續發展的未來?將現有能源替換成可再生能源是全球能源行業的期許,不過這位瑞士攝影師卻在其系列作品中提出了質疑。蒙泰利奧尼 (生於1974年) 居住在義大利,他揭示了智利、剛果民主共和國和印尼的銅、鋰和鈷開採對地緣政治、社會和生態造成的複雜影響。

(左→右) 10. Aerial view of lithium evaporation ponds, Albemarle Facility, Chile 2023 from the series Critical Minerals - Geography of Energy © Davide Monteleone/LOBA 2024 02. Portrait of a miner, Kolwezi, Democratic Republic of the Congo (DRC) 2023 from the series Critical Minerals - Geography of Energy © Davide Monteleone/LOBA 2024 09. Worker collecting samples from a lithium pond, Albemarle Facility, Chile 2023 from the series Critical Minerals - Geography of Energy © Davide Monteleone/LOBA 2024

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10. Aerial view of lithium evaporation ponds, Albemarle Facility, Chile 2023 from the series Critical Minerals - Geography of Energy © Davide Monteleone/LOBA 2024

02. Portrait of a miner, Kolwezi, Democratic Republic of the Congo (DRC) 2023 from the series Critical Minerals - Geography of Energy © Davide Monteleone/LOBA 2024

09. Worker collecting samples from a lithium pond, Albemarle Facility, Chile 2023 from the series Critical Minerals - Geography of Energy © Davide Monteleone/LOBA 2024

英格瑪·比約恩·諾廷 (Ingmar Björn Nolting)

《氣候變化選集》(An Anthology of Changing Climate)

德國在應對氣候危機方面樹立了宏偉的目標。不過,實際情況不僅紛繁複雜,往往還事與願違。德國希望在2045年前成為溫室氣體中和的工業化國家,而該願景正在社會和生態領域引發一系列改變,加劇了社會分裂。這位出生於1995年的德國攝影師在系列作品中探討了如何透過社會共識找到應對氣候變化挑戰的解決方案。

(左→右) 01. A steel plant in Duisburg, Germany 2023 from the series An Anthology of a Changing Climate © Ingmar Björn Nolting/LOBA 2024 03. A scene at the Wunderland Kalkar amusement park, Germany 2023 from the series An Anthology of a Changing Climate © Ingmar Björn Nolting/LOBA 2024 13. Two men in front of a forest fire in Jüterbog, Germany 2023 from the series An Anthology of a Changing Climate © Ingmar Björn Nolting/LOBA 2024

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01. A steel plant in Duisburg, Germany 2023 from the series An Anthology of a Changing Climate © Ingmar Björn Nolting/LOBA 2024

03. A scene at the Wunderland Kalkar amusement park, Germany 2023 from the series An Anthology of a Changing Climate © Ingmar Björn Nolting/LOBA 2024

13. Two men in front of a forest fire in Jüterbog, Germany 2023 from the series An Anthology of a Changing Climate © Ingmar Björn Nolting/LOBA 2024

牛童 (Tong Niu)

《快遞》(Express Delivery)

這位1998年出生的中國攝影師的系列作品主要拍攝於中國江蘇。這些採用大片幅拍攝的照片展示了從事電子商務和快遞業務的人們在大城市中的日常生活,他們從家鄉移居到大城市,希望創造更好的未來,而這位攝影師也跟隨他們回到了自己的家鄉。

(左→右) 05. After the rain, the courier cycles home from work, China 2022 from the series Express Delivery © Tong Niu/LOBA 2024 08. A portion of a shipment that a courier employee needs to process in a morning before the Chinese New Year, China 2021 from the series Express Delivery © Tong Niu/LOBA 2024 12. Young father, young courier, China 2022 from the series Express Delivery © Tong Niu/LOBA 2024

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05. After the rain, the courier cycles home from work, China 2022 from the series Express Delivery © Tong Niu/LOBA 2024

08. A portion of a shipment that a courier employee needs to process in a morning before the Chinese New Year, China 2021 from the series Express Delivery © Tong Niu/LOBA 2024

12. Young father, young courier, China 2022 from the series Express Delivery © Tong Niu/LOBA 2024

伊蒂諾莎·伊馮娜 (Etinosa Yvonne)

《揮之不去》(It’s All in My Head)

這位生於1989年的奈及利亞攝影師為多媒體專案基於研究而創作,該專案探索了人類在經歷暴力和恐怖主義後的生存狀況。奈及利亞是非洲人口最多的國家,這裡存在多個民族和宗教信仰,不斷一直在與不同程度的暴力行為和衝突作鬥爭。自2018年以來,伊馮娜持續記錄了奈及利亞不同地區60多名成人和兒童的創傷後經歷。

(左→右) 01. Hajara Abubakar, Nigeria 2018 from the series It’s All in My Head © Etinosa Yvonne/LOBA 2024 04. Jimoh Boton, Nigeria 2018 from the series It’s All in My Head © Etinosa Yvonne/LOBA 2024 11. Jamila, Nigeria 2019 from the series It’s All in My Head © Etinosa Yvonne/LOBA 2024 

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01. Hajara Abubakar, Nigeria 2018 from the series It’s All in My Head © Etinosa Yvonne/LOBA 2024

04. Jimoh Boton, Nigeria 2018 from the series It’s All in My Head © Etinosa Yvonne/LOBA 2024

11. Jamila, Nigeria 2019 from the series It’s All in My Head © Etinosa Yvonne/LOBA 2024 


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